Nine no-budget horror/comedy shorts that explore themes of murder, death, revenge, self-mutilation, stalking, clones, hell, and weird squid babies.

The Prairie Kings hockey team fight for the league championship and for their lives all in one night.

郑(zhèng )思(💖)杰监(🏜)制，卢炜麟执导(dǎo )的《今晚(🦑)打(dǎ )僵尸》则(🛢)是(shì )港味十(🥓)足的喜剧(jù(🏢) )，将主(💐)攻香(xiāng )港本土市场(chǎng )，不(🎠)会在内(nèi )地(🛺)公映。由(yóu )白(📒)只、张继(jì(📸) )聪主演的《今(🚏)晚打僵(jiāng )尸》则是(🚂)一(yī )部惊悚(💋)题材(cái )的喜(📼)剧，该(gāi )片根(🤰)据余咏(yǒng )良(🐭)的畅销小(xiǎ(🔽)o )说改编而成(🤐)(chéng )。

Candice（(🔞)王奕瑾(jǐn )饰(🎦)演(yǎn )）去东(🐂)(dōng )京拜(bài )访(🤾)家族的合(hé(💤) )作伙伴，进(jì(😣)n )行商(🦑)务之旅(lǚ )同时，好奇(qí )心(🛺)重的她为(wé(🏄)i )已逝世16年的(🥀)(de )叔叔找寻旧(🧐)(jiù )爱(🗃)Joyce(朱永菁饰演)。然而，Joyce当天(tiā(🧔)n )却没有依约(🍽)(yuē )在东京铁(🛋)塔(tǎ )出现。Candice置(🏬)身(shēn )在语言(🕕)文化(huà )陌生(🚖)的环(😨)境(jìng )，不仅迷(🙆)失在东京街(💢)(jiē )头 ，面对人(🚂)(rén )事已非的(📜)东(dōng )京，对于(🐂)寻(xún )人任务(🐏)是否(🕌)(fǒu )能完成更(🕥)是(shì )没有把(🙋)握。当Candice终于克(🏓)服(fú )重重(chó(🐄)ng )困难与(yǔ )Joyce见(💳)面(mià(💨)n )。Candice满足了刺(cì )激人生的渴(⏬)(kě )望;然而，她(🕡)(tā )所追求的(🏳)刺(cì )激，却在(🐊)Joyce平(pí(🚄)ng )静的人生投(tóu )下一颗震(🌳)撼(hàn )弹...

Nine no-budget horror/comedy shorts that explore themes of murder, death, revenge, self-mutilation, stalking, clones, hell, and weird squid babies.

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.

《赏金(🍠)恋人》是一部(👫)青春(chūn )、爱(🎾)情、时(shí )尚(🏊)喜剧，讲(jiǎng )述(🏻)了富(🤚)二代(dài )千金(🦏)女与拜(bài )金(🌾)渣男、潦(liá(👟)o )倒清高的画(🍡)家三人间(jiā(♎)n )的爆笑爱情(🔕)(qíng )故(🚢)事。由方(fāng )语(😂)昕饰演的(de )的(🎒)富二代苏(sū(😲) )珊，因为父(fù(🕞) )亲反对恋情(🛷)(qíng )而(👇)负气离家(jiā )出走(zǒu )，老爸(😢)(bà )苏锦(jǐn )宏(📮)为寻找爱(à(🙅)i )女不惜重心(📆)(xīn )赏金百万，巨大的诱惑(huò )下(🎙)，暴露出(chū )人(🥐)性的贪婪(lá(😟)n )和欲望，一(yī(🏓) )场全城奔爱(⌛)大逃(táo )亡的(🤒)爱情喜(xǐ )剧就此(🍬)展开(kāi )。在一(🥟)系列(liè )的全(📠)城追击(jī )、(🏔)赏金闹剧(jù(🔢) )中，方语昕(xī(📠)n )饰演(📽)的千金苏珊终于(yú )找到(🍴)了人生(shēng )的(🔐)归属，和(hé )黄(🗾)腾浩饰演(yǎ(😴)n )的画(🐚)家刘子(zǐ )铭上演了出(chū(🌗) )公主爱上青(🤛)(qīng )蛙王子的(⛳)完(wán )美爱(à(🔥)i )情。

唐(táng )明，就像很多屌(diǎo )丝故(👬)事里的(de )男主(🔷)角一样(yàng )，从(❌)小到大(dà )遇(😯)到的异性(xì(💄)ng )都是女神级(🤷)(jí )的，在经历(lì )了(🌧)一堆奇怪的(🗺)事(shì )情后，唐(🥌)明(míng )把人生(😲)的不(bú )幸归(🎎)结于自(zì )己(⛳)从小(📸)到大(dà )发着的相同(tóng )的(😨)梦，一次(cì )解(👅)梦的经历中(🔷)，卷入(rù )了一(🐍)场警(🚖)匪(fěi )追逐事业，负责这次(🌿) 逮(dǎi )捕案的(⭐)是女(nǚ )主角(🍜)白古清(qīng )，为(⭐)了彻查(chá )本案潜伏在(zài )牛氏(🙇)(shì )集团的(de )目(🌋)标(biāo )嫌疑人(🚦)，失(shī )业已久(✴)的唐(táng )明前(🚠)往牛市(shì )集(🍓)团工作，公交车站(🥟)偶(ǒu )遇女神(😯)白古(gǔ )清，却(💆)遭小(xiǎo )人整(🏳)蛊给女神留(💺)(liú )下坏印象(🌀)，人生(🦆)的拐角(jiǎo )点，喜剧的(de )相遇(🥂)却触发(fā )了(🔓)悲惨的前(qiá(🏏)n )尘往事：唐(🤯)(táng )明(🎮)是唐三藏的转世，白骨精(🥦)正是(shì )白古(⛄)清的前(qián )生(🧔)，两人的(de )关系(🎎)因堕落(luò )凡间的唐三(sān )藏而(💀)更加亲(qīn )密(😓)，前世种(zhǒng )下(🍄)的(de )缘分在(zà(👼)i )两人(rén )之间(🔘)悄然开(kāi )花(👑)。为对抗(kàng )牛总的(🥁)邪恶(è )势力(🌅)，唐明(míng )和唐(🐞)三藏师(shī )徒(👑)开始策划(huá(🥄) )周密的营救(📎)(jiù )工(🐘)作，最后，究(jiū )竟是邪不能(😈)(néng )胜正？

関(🏍)西(xī )ジャニ(🌈)ーズJr.のメン(💬)バー(🗂)が主演し、売れない漫(😊)(màn )才コンビ(🖋)がライバル(📃)と競い合い(🌏)、成長していく姿を描(miáo )い(🖼)た青春ドラ(📺)マ。幼なじみ(📏)でお笑(xiào )い(🎌)好きの高(gā(🥒)o )浜優(yōu )輔と(🏪)稲(dào )毛潤(rùn )は、(🚚)高校卒(zú )業(🤔)後にお笑(xià(🌴)o )い養成所に(🕢)入所し、漫(🉑)(màn )才コンビ(🍍)「エ(🌻)ンドレス」を結成する(📡)。新人芸人の(🛳)登竜門であ(👩)るコンテス(🥈)トで(➰)も優勝(shèng )し、テレビ局(💿)からも声(shē(🛵)ng )がかかり、(❄)エンドレス(🥥)は順風満(mǎn )帆かに思われた(🤨)。しかし、売(😌)れることが(🚷)第一(yī )と考(🎒)える高(gāo )浜(🐿)と純粋にお(🐿)笑いが好(hǎo )きな(⬅)稲毛、2人の(🚽)間に気持ち(🐸)のすれ違い(🐟)が生じる。そ(🤤)んな中、同(🛋)期で(🗳)ライバル的存在(zài )だっ(🥌)た「ピンク(🛸)らくだ」が(🐝)突然ブレイ(🐝)クし(🕛)、エンドレスの人(rén )気(🚜)下降に高(gā(🙇)o )浜はいらつ(🚤)き出し、高(🙊)(gāo )浜のお荷物になってるの(🎧)ではと悩む(💔)稲毛の脳裏(♟)に、コンビ(🛰)解散の文字(🚗)が浮かび始(🍇)める。監督はドラ(💵)マ「釣りバ(🌶)カ日(rì )誌」(🍔)などを手が(🦒)けた石(shí )川(🤯)勝己。

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.