Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

圣(🛅)诞(dà(🍍)n )节，米格兰一家(jiā(🏓) )发现(💭)全家已被神(shén )秘的金属物(🏩)质包(⭕)(bāo )围，但究竟是什(💌)(shí )么(❣)，工业事故？恐怖(bù )袭击？(🏣)核战(👵)(zhàn )争？在电视机(🏺)上(shà(⛓)ng )出现(🌆)(xiàn )了“进一步(bù )的指(zhǐ(🕣) )示”，他(🛶)们按照(zhào )电视机(🗼)的指(🍩)示，展(🗽)开了血腥的屠(tú )杀…(🕟)

The story of a bird charmer as he goes on to influence the lives of people while witnessing a change in his own.

巴勒(👐)斯坦電(diàn )視台攝(🗽)製臥底肥(📷)(féi )皂(🎁)劇(jù )，連以色列(liè(💎) )婦孺(⛏)(rú )都晚晚追看(kàn )。編(biān )劇因(🚆)情節(💻)背(bèi )離革(gé )命而(🤯)辭職(🔀)，監製(zhì )的多口侄仔助理(lǐ(😕) )受命(🥇)執筆，頻頻(pín )借女(🎿)角之(🥕)口，向(xiàng )電視機前的舊愛(à(🌆)i )示好(🔓)，以色列檢(jiǎn )查站(🚃)(zhàn )軍(🐻)官則(🆚)企圖(tú )恃權(quán )影響劇(🌷)情發(📳)(fā )展，以便在追看(🚓)(kàn )的(⬆)嬌(jiā(🎃)o )妻面前自吹自擂(lèi )。助(👳)理即(🏔)使槍抵(dǐ )腦殼，都(📟)不肯接(jiē(🗄) )受軍(💍)官要求的大(dà )團(😹)圓結(📳)局。抗爭(zhēng )，必(bì )須繼續！影(yǐ(💅)ng )展新(🚓)(xīn )秀蘇亞比巧(qiǎ(☔)o )妙調(🏸)(diào )侃以巴關係(xì )，他(tā )的喜(📔)劇座(🆙)右銘是(shì )：要能(🚤)大笑(❄)，必(bì )須面對苦痛，並(bìng )與之(🧕)周旋(🧢)。獲威(wēi )尼斯地平(🍧)線單(🔡)元(yuá(🌩)n )最佳男主角獎。

Nina is a mother a little bit crazy, Baptiste a son a little too wise. Angry since a long time they are found for the adventure of their lives. During a trip unlikely, funny and moving, they will catch up the lost time.

Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.

ユ(🐘)ミは(🐍)夫と娘の３人暮(🤑)らし(💎)。近(jì(🚼)n )々引っ越しを考(kǎo )え(🥐)てい(🥐)る。ユミは娘のレ(📺)イナが時(🍪)折う(🌃)わ言を発(fā )する(🦇)こと(👈)が、少(shǎo )々気にかかって(😵)いた(🎯)。転居の報(bào )告も(🚎)兼ね(💣)て友人(rén )ヒロミと久々に(😊)再会(😈)(huì )するユミ。話題(❄)(tí )は(💞)いつしか「あの日」のこ(🎖)とに(🌲)。「私たちが埋(má(🆘)i )めた(💝)時、(🥘)本当に死んでたのか(🐙)な？(📼)」。ユミは「あの(👛)日」(🎓)のこ(🔹)とを清(qīng )算すべく、(⬜)サエ(🔥)、アコにも再会(huì )を決意(📦)し、(🚐)廃墟(xū )のような(👌)家に(🏊)一(yī )人で住むサエに会い(🙍)に行(🌙)く。サエは、見知(📜)らぬ(💨)少女(nǚ )が現れて娘(niáng )だと(🚝)言っ(📚)て聞かず、しば(🤟)らく(🐾)一緒に暮らしていたが死(🥥)んだ(🕊)こと、そして少(🏪)女は(🛅)死ん(🚁)だままその家の３階(📧)に寝(🐽)かされていると(🏸)いうこと(😦)を話(😑)し出す。(C)「黄(huáng )泉(🙇)がえ(🍻)る少(shǎo )女」製作委員会