《愤怒的小孩》6

故(🤕)(gù )事将聚焦欧文(🎪)饰演的侦(🏌)探生活(huó )在没(mé(♋)i )有隐私，满(📺)是(shì )匿名(míng )举报(⛩)(bào )者的世(📈)界。那里的一切公(🥤)开透(tòu )明(🏘)，任(⬜)何行为都在(zài )政(🙃)府(fǔ )窥(♒)探(🦆)(tàn )、监管之下。然(🌸)而，当侦探(😿)发(fā )现塞弗里德(🕞)饰演的(de )年(😂)轻(qīng )女子(zǐ )，在警(📬)察的监管(😰)下隐于无(wú )形后(♐)(hòu )。侦探真(🗼)正开(kāi )始思(sī )考，政府(fǔ )的(💸)行(📪)径是否才真的是(⛏)在犯(fà(🏵)n )罪(💔)。

街头女骗子Julia被(bè(🛢)i )绑架(jià )，将(🐩)(jiāng )被用于做一个(🉑)致命实验(🐁)，她的(de )唯一(yī )希望(😴)寄予幕后(👐)(hòu )黑手(shǒu )Alex创造(zà(🏘)o )的一项人(🍞)工(😫)智能TAU，装备有大量(🚶)(liàng )的无(🔴)(wú(🏥) )人机和机器人(ré(🌸)n )，能(néng )自动(🥪)(dòng )操纵Alex打造的智(🐖)能房屋和(🏽)实验室(shì )，墙壁内(🎏)村有屏幕(📗)(mù )，能(néng )从草(cǎo )原(💑)变为深度(🙄)空间。TAU的能力(lì )受限(xiàn )于它(🔰)所(🕺)理解当下所(suǒ )处(👕)的(de )环境(📼)(jì(🌙)ng )，但它的潜力远不(🛣)止于此(cǐ(🈳) )。足(zú )智多谋又勇(💼)气(qì )十足(🎾)(zú )的Julia将(jiāng )与时(shí(🍽) )间作斗争(🥛)，在人与机器之(zhī(🍭) )间建(jiàn )立(😶)信(🐅)任的桥梁(liáng )，争(zhē(🕓)ng )取重(chó(🖥)ng )新(😒)获得自由，而不会(👼)落入和之(😫)(zhī )前6位(wèi )同样被(🧟)用于实(shí(🕷) )验之(zhī )人的(de )同一(🥂)个下场。

本(😰)片根据著名的(de )香(⬆)港高街死(🍦)亡地下(xià )车库(kù )灵异(yì )事(🥐)件(🏹)改编。

在《琐事烦心(🙋)(xīn )》（Wolfsbergen，2007年(🛀)论(🔍)坛单元），《布(bù )朗(🗜)运(yùn )动》（(🤳)Brownian Movement，2011年论坛单元）和(💪)(hé )《一(yī )切(🌩)很安静》（Boven is Het Stil，2013年(nián )全(👍)景(jǐng )单元(🕰)(yuán )）之后，荷兰导(🧠)演娜诺克(🐋)(kè(🛠) )•利(lì )奥波德将(📬)会带(dà(🤖)i )着(🔹)新(xīn )片来(lái )到2018年(➕)的柏林电(🍃)影节在 Generation 14plus中角逐。以(🧔)她(tā )特有(🧠)的沉静的(de )激进(jì(💙)n )主义(yì )风(🍯)格，她的新片跟随(📘)着15岁Cobain的脚(🖍)(jiǎo )步，在城市里徘徊(huái )，寻(xú(🔌)n )找(🤒)他(tā )自毁的母亲(🖨)。在途中(🌅)，他(📎)遇到(dào )了她的老(🤝)朋友们，社(🤟)工(gōng )们，以及一家(🤢)美沙酮诊(🌰)所。在(zài )他的(de )电影(👲)处女作中(🆕)(zhōng )，Bas Keizer温(wēn )柔又(yòu )有(🏐)力(lì )地表(🦀)现出了一个必须要快(kuài )速(🍲)长(🧥)(zhǎng )大的男孩的样(🐟)(yàng )子。

Ann is consumed by the fantasy of finding true love. Just when she thinks she's found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.@

Under Mann’s new venture, Michael Mann Books, the prequel will begin as a novel, and possibly be adapted into a film or television series. Just two days after that announcement, another project from Michael Mann Books is in the works: author Don Winslow (Savages) is writing a novel about Chicago crime boss Tony Accardo and his successor Sam Giancana, which Mann might adapt into a feature film.