在贝(bèi )鲁特(tè )一个(gè )街角(jiǎo )的咖(kā )啡店(📵)(dià(🎟)n )二(🦋)楼(🥡)(lóu )，有(yǒu )一面(mià(🛎)n )大大(dà )的转(zhuǎn )角窗(chuāng )和一(yī )台电(diàn )视机，一位78岁的退伍将军(🕰)和(⚽)一(🚌)位(🔥)81岁(🛸)的(🕒)退(🖐)伍军医每天早上都会在这里碰面，看(kàn )着街(jiē )角车(chē(🙎) )来(🐠)人(👥)往(👴)，做着填字游戏(🕙)，以此对抗阿茨(cí )海默(mò )综合(hé )症。伴随(suí )两位(wèi )老人的玩(🍪)笑(🎠)和(🧟)字(🎀)谜(🎑)，咖(😛)啡(🔣)馆(🔊)的顾客纷纷登场。本片用发生在一(yī )个社(shè )会小(xiǎ(👹)o )角(🈺)落(⭕)(luò(🍪) )16天之(zhī )内的(de )一(🍡)系(xì )列事(shì )件，四两(liǎng )拨千(qiān )斤地(dì )讨论(lùn )了人(rén )生、政治(🔋)(zhì(🛫) )、(🦃)历(🚌)(lì(☝) )史(🍫)等(🌹)话题；通过单场景多幕剧的结构让人感受到老人们(✉)的(🤓)孤(🍐)独(👯)，以及疾病带(dà(🌀)i )来的(de )苦涩(sè )，同时映射出黎巴嫩暴力事件肆虐的现(xiàn )状。以(🔒)小(🈺)(xiǎ(😐)o )见(🍬)大(🧗)(dà(🛁) )，令(🐤)(lì(🙆)ng )人回(huí )味。

Naples, Achille Tarallo, bus driver and father of three, implements his modest income by singing at weddings. He's part of a trio, along with his two inseparable friends Cafe and Pennabic. ......

Eela is an aspiring playback singer and single mother. She has given up all her dreams to raise her only son. But now her baby son 'Vivan' is all grown up and being a typical young millennial, doesn't want his mother's life to revolve around him. But being an over protective mother, Eela has other ideas and joins her son's college to spend more time with him. Unfortunately her plans backfire and she suffers a backlash from Vivan for invading his privacy. Will Helicopter Eela manage to salvage her relationship with Vivan and find her calling again?

故事发生在墨西哥城的一个中产阶级社(🙄)区(⤵)“罗(🐫)马(📤)”，讲述(shù )年轻(qī(🥨)ng )女佣(yòng )克里(lǐ )奥（雅利(lì )扎·阿巴(bā )里西(xī )奥饰(shì )）在(zà(🚴)i )雇(💎)主(🏣)(zhǔ(🎾) )索(🖥)菲(⚽)(fē(😧)i )亚（玛丽(lì )娜·德·塔维拉饰）家中工作，该家中索(🦄)菲(🦑)亚(💫)的(🚯)丈夫长期在外(🕛)，由女佣克里奥照顾索(suǒ )菲的(de )四个孩子。突如其来的两个意(♏)外(🛁)，同(📇)时(🅾)砸(🔜)中(💱)(zhō(🈁)ng )了(🛁)女(nǚ )佣克(kè )里奥(ào )和雇(gù )主索(suǒ )菲亚，两人究竟该(⏱)如(🔼)何(🚷)面(🐛)对苦涩茫然的(🐈)生活？四位孩子似乎是(shì )希望(wàng )所在(zài )。 这(zhè )是以(yǐ )导演(yǎ(🏡)n )阿(🥈)方(🐻)(fā(🎪)ng )索(🖇)·(👋)卡(🥓)隆(lóng )的儿(ér )时记(jì )忆铸(zhù )成的(de )影片(piàn )，而(ér )卡隆(lóng )其(🔞)实(💷)就(🚇)是(🤽)片中某一位小(⚡)孩。

“没有名字的我，没有未来的她”

藝術家自古皆寂寞(mò )或許(📀)(xǔ(🌘) )是(💞)境(🖋)界(🖨)，人(😛)到(🌨)中(🚬)年萬事憂則是現實。在畫室(shì )洋洋(yáng )灑灑(sǎ )呈現(xià(⛱)n )自(⛳)由(📣)(yó(🔅)u )雄風(fēng )的裸男(🌯)畫(🔗)作令他一舉成名，在家面對前妻懷着新歡骨肉、與女(nǚ )兒(🏸)相(📗)(xià(🏘)ng )處(💭)尷(⛽)(gā(🍆)n )尬(🦀)卻(què )令他(tā )一籌(chóu )莫展(zhǎn )。貝(bèi )蒙特(tè )的寂(jì )寞，在於(🔐)(yú(〰) )如(💇)何(📉)(hé )在著(zhe )名畫(huà(👣) )家與(yǔ )單親爸爸雙重身份、藝術創作與家庭生活之間取得(🤹)平(🎤)衡(🌒)。維(🚚)羅(🧡)（(😟)《電(🆎)影就在街角(jiǎo )》，35 屆）找來合作多年的編劇兼美指好友(🔢)對(🎰)號(🌲)入(rù )座，還原(yuán )藝(🥀)術(shù )家有(yǒu )血有(yǒu )肉的矛盾本性，在出世與入世的兩難外(🌏)，毋(🎮)忘(🥋)點(🤮)點(🎚)超(🗂)現(🌨)實的幽(yōu )默。