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爱情侦探(🦈)社(💩)是(🦋)一(🥢)个(gè )神秘低(dī )调的公司(⬜)，主要业(yè )务是小三劝退(tuì )，社(🌫)长(🎂)(zhǎ(😊)ng )马葶(tíng )拥有绝佳的政(zhè(🥡)ng )商(🗽)手腕(wàn )，周旋在名人富豪(háo )之(🧖)间(😘)。手(🐜)下的(de )成员集(jí )合了(le )侦探(⏳)、律师、心理学(xué )家等人才(🌺)，他(👌)们(🤟)都(🔇)(dōu )有着不(bú )能摊开(kā(🔈)i )在(👑)阳光下的(de )秘密人生。有(yǒu )一天(💄)，侦(👬)探(👟)社接到一个案(àn )子，随(suí(📶) )着(🛠)案情抽丝剥茧，进或退都会(📬)影(👰)(yǐ(🚟)ng )响(🎡)侦探(tàn )社的存亡。在爱情(🌷)(qíng )的十字(zì )路口，他们开始疑(🐭)(yí(🔢) )惑(🦅)，究竟谁才(cái )有资格(gé )获(㊙)得(🃏)(dé )真爱？这场正(zhèng )宫与小(xiǎ(🖼)o )三(🦌)之(🚃)间的对决，究(jiū )竟谁才是(💧)最后(hòu )赢家？

斯坦(tǎn )利·图(🌯)齐(🚁)饰(🌯)演(🚄)(yǎn )一位已(yǐ )婚大学教(👮)授(🔣)，爱迪(dí )生·蒂姆林饰(shì )演其(🐖)门(🔑)(mé(🕓)n )下写(xiě )作天赋非常厉(lì(🎫) )害(🏬)的女(nǚ )学生，在一对一的(de )写(🥕)作(📸)教(🎙)(jiā(🔒)o )学中两人逐渐对彼(bǐ )此(✌)心生爱意，一段不(bú )可避免的(👈)“师(🏸)生(😎)恋(liàn )”就此(cǐ )展开。电影由(🐗)理(👎)查(chá )德·莱文执导(dǎo )，詹妮(nī(㊙) )安(🈂)·(☝)加罗法洛、里(lǐ )奇·科(🍰)(kē(🚗) )斯特、科尔·比米(mǐ )尼菲(🚉)等(🍊)人(🚵)参(👐)演(yǎn )。

《诡(guǐ )宅魅(mèi )影》讲(🌏)述(🔃)的是(shì )民国时(shí )期被父母寄(♒)居(🐞)在(🛸)吴(wú )宅的小莲（瑶(yáo )瑶(💹)）(😸)因(yīn )长期(qī )遭受吴老爷虐(nuè(🤸) )待(🧕)迫(👇)害(hài )，导致人格分裂，陷入(🤭)四(sì )重人格。由于吴老(lǎo )爷与(🎒)土(🥊)匪(🚹)勾结(jié )，小莲(lián )即将被灭(🌕)口(💘)之际，幸得吴(wú )宅老管家（李(⏹)子(🤖)雄(🔷)(xióng )饰演）搭救才(cái )幸免(🎶)于(⚾)(yú )难。而此时的小莲(lián )已经(🌅)得(❌)(dé(😥) )了(🦆)失心疯，得知妹(mèi )妹悲惨(🗽)遭遇后(hòu )，远在(zài )国外(wài )学习(⏰)心(🕘)理(🖖)学的(de )哥哥决(jué )定回国，帮(🛣)助(🎿)小莲(lián )进行心理治疗(liáo )。他对(😮)(duì(😶) )小(㊙)莲(lián )进行了催眠，将小莲(🥈)(lián )再度带回吴家大院(yuàn )，并实(🏤)(shí(🏌) )地(🌖)还原囚禁场景，小莲在哥(🖍)哥(💐)和(hé )吴家老(lǎo )管家的帮助下(🐏)，战(⬆)(zhà(😾)n )胜了失(shī )心疯，找回自我(🚓)，恢(🛬)复了健康。

Satan demands worship but now he demands a meat cleaver massacre. A town under the control of the devil and a mystery killer on the loose leads to shock after shock.

Since early childhood, Björn has secretly carried an insurmountable fear. When his father dies of old age, he and his four sisters are each left with a video message, that makes him question everything. Director Johan Löfstedt’s extended family play themselves in a heartfelt and unconventional film about life, death and the courage to change

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.